11 Years Later, Michael B. Jordan's Hit Action Reboot Franchise Is Officially Taking Over the World

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By

Lade Omotade

Published May 6, 2026, 7:15 PM EDT

**Lade Omotade is a News and Feature Author at Collider **with a passion for exploring the ever-evolving world of the Film & TV industry. Her work centers on covering the latest news, from casting announcements and franchise scoops to streaming updates and behind-the-scenes shifts that shape the way stories are told. **

Omotade approaches storytelling with both professional insight and unapologetic fandom; digging into what makes a franchise successful, spotlighting rising voices in Hollywood, and asking the questions fans are already buzzing about. Her writing reflects that mix: part industry analysis, part fan excitement, and always grounded in a love for the craft of storytelling**.

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Eleven years after debuting to phenomenal success, this iconic sports film series is enjoying renewed attention—and it couldn't have come at a better time, as another installment is reportedly in development. Following the success of the biographical drama Fruitvale Station_, Ryan Coogler stepped in as both writer and director for the first installment, which proved to be both a critical and commercial hit. Two sequels followed soon after, each building on the franchise's legacy, and both now appear to be enjoying a resurgence in the spotlight on streaming services.

Starring Michael B. Jordan in all three films, the newly trending sports series is Creed, a spin-off of the Rocky franchise. Creed I through _III _serve as the seventh, eighth, and ninth installments in the overall franchise, following the six Sylvester Stallone-led films released between 1976 and 2006. Created by Stallone, the franchise initially centers on the fictional life of boxer Rocky Balboa in Philadelphia, Pennsylvania, before shifting focus in the Creed films to amateur boxer Adonis Creed, who is trained and mentored by Rocky, the former rival-turned-friend of Adonis' father, Apollo Creed (Carl Weathers).

As of this writing, Creed II and Creed III have become a perfect free binge as they surge in popularity on the streaming platform Tubi. For the past three days, _Creed II _has ranked as the second most-watched title on the streamer in the U.S., while its sequel has held the fourth spot for the past 48 hours. Both films star Jordan as the title character alongside Tessa Thompson, Wood Harris, and Phylicia Rashad. Stallone appears in the second film but is absent from the third, marking the first installment in the series not to feature Rocky, though he remains credited as a producer.

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COLLIDER. Collider · Quiz

Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture_**Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite 🌀Everything Everywhere ☢️Oppenheimer 🐦Birdman 🪙No Country for Old Men

FIND YOUR FILM →

QUESTION 1 / 10TONE

01 What kind of film experience do you actually want? The best movies don't just entertain — they leave something behind.

ASomething that pulls the rug out — that makes me think I'm watching one kind of film and then reveals I'm watching another entirely. BSomething overwhelming — funny, sad, absurd, and genuinely moving, all at once. CSomething grand and weighty — a film that makes me feel the full scale of what I'm watching. DSomething formally daring — a film that pushes what cinema can even do. ESomething lean and relentless — pure tension with no wasted frame.

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QUESTION 2 / 10THEME

02 Which idea grabs you most in a film? Great films are driven by a central obsession. What's yours?

AClass, inequality, and what people are willing to do when desperation meets opportunity. BIdentity, family, and the chaos of trying to hold your life together when everything is falling apart. CGenius, moral responsibility, and the catastrophic weight of a decision you can never take back. DEgo, legacy, and the terror of becoming irrelevant while you're still alive to watch it happen. EEvil, chance, and whether moral order actually exists or if we just tell ourselves it does.

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QUESTION 3 / 10STRUCTURE

03 How do you like your story told? Form is content. The way a story is shaped changes what it means.

AGenre-twisting — I want it to start in one lane and migrate into something completely different. BMaximalist and genre-blending — comedy, action, drama, sci-fi, all in one ride. CEpic and non-linear — cutting between timelines, building a mosaic of cause and consequence. DA single unbroken flow — I want to feel like I'm living it in real time, no cuts to safety. ESpare and precise — every scene doing exactly what it needs to do and nothing more.

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QUESTION 4 / 10VILLAIN

04 What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?

AA system — invisible, structural, and almost impossible to fight because it has no single face. BThe self — the ways we sabotage, abandon, and fail the people we love most. CHistory — the unstoppable momentum of events that no single person can stop or redirect. DThe industry — the machinery of culture that chews up talent and spits out irrelevance. EPure, implacable evil — a force so certain of itself it becomes almost philosophical.

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QUESTION 5 / 10ENDING

05 What do you want from a film's ending? The final note is the one that lingers. What do you want it to sound like?

AShock and inevitability — a conclusion that recontextualises everything that came before it. BEarned emotion — I want to cry, laugh, and feel genuinely hopeful, even if the world is a mess. CDevastation and grandeur — an ending that makes me sit in silence for a few minutes after. DAmbiguity — something that leaves enough open that I'm still thinking about it days later. EBleakness — an honest refusal to pretend the world is tidier than it actually is.

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QUESTION 6 / 10WORLD

06 Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what's even possible.

AA gleaming modern city with a hidden underside — beauty masking rot, wealth masking desperation. BA collapsing suburban life that opens onto something infinite — the multiverse of a single ordinary person. CThe corridors of power and science at a world-historical turning point — where decisions echo for decades. DThe grimy, alive chaos of New York and Hollywood — fame as both destination and trap. EVast, indifferent landscape — desert and highway where violence arrives without warning or reason.

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QUESTION 7 / 10CRAFT

07 What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.

AProduction design and mise-en-scène — every frame composed to carry meaning beneath the surface. BEditing and tonal control — the ability to move between registers without losing the audience. CScore and sound design — music that becomes inseparable from the dread and awe of what you're watching. DCinematography as performance — the camera not recording events but participating in them. ESilence and restraint — what's left unsaid and unshown doing more work than any dialogue could.

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QUESTION 8 / 10PROTAGONIST

08 What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.

ASomeone smart and resourceful who makes increasingly dangerous decisions under pressure. BSomeone overwhelmed and ordinary who turns out to be capable of something extraordinary. CA brilliant, tortured figure whose gifts and flaws are inseparable from each other. DA self-destructive artist whose ego is both their superpower and their undoing. EA quiet, principled person trying to make sense of a world that has stopped making sense.

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QUESTION 9 / 10PACE

09 How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.

AI love a slow build when I know the payoff is going to be seismic — patience for a devastating reveal. BGive me relentless momentum — I want to feel breathless and emotionally spent by the end. CEpic runtime doesn't scare me — if the material demands three hours, give me three hours. DI want it to feel propulsive even when nothing is technically happening — restless energy throughout. EDeliberate and unhurried — I want dread to accumulate in the spaces between the action.

NEXT QUESTION →

QUESTION 10 / 10AFTERMATH

10 What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?

AUnsettled — like I've just seen something I can't fully explain but can't stop thinking about. BMoved and energised — like the film reminded me what actually matters and gave me something to hold onto. CHumbled — like I've been in the presence of something genuinely important and overwhelming. DExhilarated — like I've just seen cinema doing something it's never quite done before. EHaunted — like a cold, quiet dread that stays with me for days.

REVEAL MY FILM →

The Academy Has Decided Your Perfect Film Is… Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

BEST PICTURE 2020

Parasite You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

BEST PICTURE 2023

Everything Everywhere All at Once You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about.

BEST PICTURE 2024

Oppenheimer You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

BEST PICTURE 2015

Birdman You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible. Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

BEST PICTURE 2008

No Country for Old Men You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

↻ RETAKE THE QUIZ

Is 'Creed IV' Coming?

Two years after making his directorial debut with Creed III, Jordan confirmed that a fourth film is still in development**, alongside plans to expand the franchise into a broader "Creed-verse." In a November 2025 interview, when asked if Creed IV would still happen, he replied, "Eventually, definitely." The Sinners actor also revealed that there are more stories to explore within the franchise and expressed enthusiasm for what MGM and producer Irwin Winkler have been developing. However, Jordan admitted he doesn't see himself in the ring, boxing for another 15 years. Nevertheless, fans can expect new and compelling characters to emerge as the franchise evolves—especially Adonis' daughter, whose story has already been picked up as a TV spin-off series at Amazon.

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Creed II _and III are available to stream for free on Tubi. Stay tuned to Collider for more updates.

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Creed II

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Followed

PG-13

Drama

Action

Release Date**

November 21, 2018

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Cast

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Michael B. Jordan

Adonis Johnson

Sylvester Stallone

Rocky Balboa

Tessa Thompson

Bianca

Wood Harris

Tony 'Little Duke' Evers

Where to watch _

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WHERE TO WATCH

RENT**

BUY

Runtime

130 minutes

Director

Steven Caple Jr.