‘What Can’t Be Mentioned’ Review: Dan Sallitt Returns with a Sequel to His Beloved Incest Drama ‘The Unspeakable Act’

Filmmaker Dan Sallitt has returned with "What Can't Be Mentioned," a new film that serves as a sequel to his 2012 drama "The Unspeakable Act." The film, which premiered at the New York Film Festival, revisits the character of Jackie, once again portrayed by Tallie Mendel. The narrative picks up as Jackie grapples with rekindled feelings for her older brother, a situation complicated by the news of his impending fatherhood.

"The Unspeakable Act" explored the complex and taboo subject of incestuous desire, and "What Can't Be Mentioned" appears to delve further into the emotional and psychological ramifications of such a relationship. Sallitt's work is known for its unflinching examination of difficult themes and its nuanced character studies. The return to this specific narrative suggests a continued interest in exploring the boundaries of familial relationships and the enduring power of unspoken emotions.

The critical reception for "What Can't Be Mentioned" positions it as a significant cinematic event, particularly for those familiar with Sallitt's previous work. The film's premiere at a prestigious festival like the NYFF underscores its artistic merit and its potential to spark discussion. The continuation of Jackie's story, particularly in light of her brother's life-altering news, promises a deeply personal and potentially challenging viewing experience.

As "What Can't Be Mentioned" enters the public consciousness, it is poised to continue the conversation initiated by its predecessor. The film’s focus on the internal lives of its characters and its willingness to confront uncomfortable truths suggest a work that prioritizes emotional authenticity over conventional storytelling. The critical discourse surrounding the film will likely explore Sallitt's directorial choices and Mendel's performance in navigating such sensitive subject matter.